Cut the fluff.
No 20-minute videos where the answer is in the last 90 seconds. Every lesson gets you to the thing that actually works as fast as possible.
In a world drowning in tutorials and AI-generated information, my work is to give photographers something harder to find: a clear, curated path to achieve their vision.
Most online photography and editing training online has the same problem: too much of everything. Forty-minute videos buried in tangents. Endless content to sort through. You end the week feeling further from your goal than when you started.
In an age where information is infinite, the information itself isn’t the valuable part anymore. What’s valuable is a set path — one that cuts the distractions and takes you from where you are to where you want to be as fast as possible.
So every lesson on this site is built as a focused block. Short, specific, and sequenced so each one leaves you feeling like you progressed instead of survived. Every course ships with written lesson summaries, so you can review what you learned in minutes, work the way you learn best, and make sure what you picked up sticks past the first watch.
Every lesson is short, specific, and built around one clear outcome — so each one leaves you feeling like you moved forward instead of lost in the weeds.
Every course ships with written lesson summaries. Review what you learned in minutes, work the way you learn best, and make sure what you picked up sticks past the first watch.
In an age of infinite information, the value is in a curated path that cuts the noise and gets you to your creative goals. Every course here is designed to be exactly that.
Photographer and Retoucher with too many hobbies to list here.
For years I was convinced there was no career in the kind of photography I actually loved — landscapes, adventures, anything that happened outside. So I pivoted to film, and spent five years as a 2nd Assistant Camera on productions for Netflix, Warner Bros, NBC, and Amazon Prime. It taught me a lot about cameras. It also taught me I didn’t want the sixteen-hour days on other people’s sets.
In 2018, a friend offered me a job photographing a 170-kilometer trek around Mont Blanc for G-Adventures. I said yes before thinking it through. That trip led to commissions across Europe, South America, and the U.S. for Freewell Filters, Florida Tourism, and other brands — the exact career I’d given up on years earlier.
Somewhere in the middle of that, I started posting Photoshop tutorials on YouTube, almost by accident. People asked how I did the things I did, and answering those questions turned out to be more satisfying than the shoots themselves. I launched this site in 2018, rebuilt it with a plan in 2020, and it’s been my main work ever since.
I still shoot when I can — British Columbia makes it hard not to — but most of my time now goes into building the resource I wish I’d had when I was starting out: one designed to help you find your own creative vision and bring it to life in whatever way feels most meaningful to you.
No 20-minute videos where the answer is in the last 90 seconds. Every lesson gets you to the thing that actually works as fast as possible.
Every lesson is built to help you get more from the gear and software you already use — so your creative vision feels within reach, not out of it.
Every lesson is made accessible regardless of your experience or how you learn best — so you can get up to speed fast and see the different angles to approach any creative problem.